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2020.09.27 Sunday, 文 /

柏林的春天

在这场巨浪的峰尖上驻足的瞬间时,一个可以关注的点是某种作为人类的适应能力。就像观察这个急转掉头的世界中某几个个体的反应,具有无穷的乐趣。 >> 更多
访谈, 2018.12.20 Thursday, 文 /

(English) Jens Faurschou interview –
Munch in Copenhagen, Rauschenberg in Beijing

(English) Combining acumen, chutzpah and luck, Jens Faurschou became Denmark’s foremost gallerist and art dealer. It is a story, that along the way, has involved Picasso, Miro, Munch, Robert Rauschenberg - and Swedish banks. >> 更多
访谈, 2018.10.02 Tuesday, 文 /
访谈, 2017.01.15 Sunday, 文 /

(English) Space Invader–Singapore Contemporary 2017

(English) Singapore Art Week signals the beginning of the art fair calendar for 2017. Ran Dian spoke with Douwe Cramer, director of Singapore Contemporary about how the show, in its second year, is developing the Singaporean art market. >> 更多
访谈, 2016.04.05 Tuesday, 文 /

歐洲宣言展

(English) Preparations for the European Biennial of Contemporary Art enter their Final Phase... >> 更多
访谈, 2015.10.22 Thursday, 文 /

2015弗瑞兹伦敦艺博会

伦敦是全球第二大艺术市场——尽管英国人不过嗜好牛、马等相关资产或家庭成员的照片。幸运的是,伦敦还有众多外国人。。生活艺术其实在别处,从博物馆,私人收藏,到画廊和艺术博览会,比如我们所知的弗瑞兹艺博会。 >> 更多
艺术家档案, 2015.10.04 Sunday, 文 /

(English) Raimund Girke – White Space Time

(English) Raimund Girke’s medium was white: as erasure, as layer, as edge, as foreground, background, gesture, fog, lens and matter...whiteness is not simply a counterpoint of contrast and scale, but the elemental background...
>> 更多
艺术家档案, 2015.10.02 Friday, 文 /

(English) Dominique Stroobant

对不起,此内容只适用于English。 >> 更多
Interviews, 2015.09.16 Wednesday, 文 /

格物:瑞安·甘德访谈录

“艺术家”是无可替代又一无所用的。这篇对于瑞安·甘德的介绍文字也同样是无用的。甚至不知道应该从何谈起。
 
 
>> 更多
Interviews, 2015.03.24 Tuesday, 文 /

(English) At China: Early Photography and Photographic Technique

(English) Taikang’s first exhibition in 2015 will take the visitors on a tour of early photography in China in the 19th century. >> 更多

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